Interpreting Sallustius: Part III

Chapter Four of Sallustius’s treatise, On the Gods and the Worlds, starts out with a straightforward assertion; he claims there are five types of fables – myths.

The treatise reads thusly:

Of fables, some are theological, others physical, others animistic, (or belonging to soul,) material, and lastly, others mixed from these.

The five types of myths then are

  1. Theological
  2. Physical
  3. Animistic/Psychical
  4. Material
  5. Mixed

Sallustius then states:

Fables are theological which employ nothing corporeal but speculate the very essences of the gods; such as the fable which asserts that Saturn devoured his children; for it obscurely intimates the nature of an intellectual god, since every intellect retuns to itself.

This is interesting, as it suggests that what a god consumes that god already contains and is. This also suggests the gods are forces because there is a metaphorical level implicit in the story of Saturn consuming his children – by consuming them, he reclaims his own intellect, which in turn reflects his nature as an intellectual god.

At this level of myth, the gods are not seen as having physical forms but being pure essence, pure force, and the myths of the gods reveal information about their individual essences.

Sallustius continues:

But we speculate fables physically when we speak concerning the energies of the gods about the world; as when considering Saturn the same as Time, and calling the parts of time the children of the universe, we assert that the children are devoured by their parents.

Basically, when we equate the gods to particular universal forces at work in the world, we are interpreting myth physically. Saturn – or Khronos – as Time. Loki or Prometheus as Fire. Hela or Hades as Death. Gaia or Njord as Earth. These are physical forces at work in the universe.

A deep perusal of the myths of any pantheon will reveal the forces each of the gods holds within them, which of the forces they control. Gods share dominion over different forces, else it would not be possible for both Prometheus and Loki to be Fire. What is most fascinating is that they are both Fire, but they are each Fire in a different way than the other – that might be something worth reflecting on.

Sallustius then says:

But we employ fables in an animistic mode when we contemplate the energies of the soul; because the intellections of our souls, though by a discursive energy they proceed into other things, yet abide in their parents.

Essentially, what the myths tell us about ourselves tells us more about the gods and the essence of the gods. This is another way to phrase that secret mystery – if you cannot find what you seek within, you will never find it without. This is that same mystery, wrapped in a different coat.

This is also the old maxim, as above, so below. The macrocosm and the microcosm reflect each other, so studying our own psyches reveals more to us about the psyches of the gods and studying the gods reveals more to us about ourselves.

This level of myth might be considered the beginning level for occult practitioners, as the evolution of self is the primary goal for most ceremonial magicians.

Moving on to the next level of myth, Sallustius says:

Lastly, fables are material, such as the Egyptians employ, considering and calling corporeal natures divinities; such as Isis, earth; Osiris, humidity; Typhon, heat; or again, denominating Saturn, water; Adonis, fruists; and Bacchus, wine. And indeed, to assert that these are dedicated to the gods, in the same manner as herbs, stones, and animals, is the part of wise men; but to call them gods is alone the province of mad men; unless we speak in the same manner as when, from established custom, we call the orb of the Sun and its rays the Sun itself.

Put concisely, Isis is the earth, but the earth itself is not a god. Osiris may be humidity, but humidity is not a god. Typhon may be heat, but heat is not a god.

In other words, this would be Sallustius’s answers to those who call archetypes gods. The gods can be archetypes – as in, Loki can be the trickster – but the archetypes cannot be a god. Therefore, Trickster is not a god but a construct that a god can embody when they choose to do so.

It’s interesting to see that Sallustius had an answer to the question only recently posed by archetypalists in the last twenty years back in the days of ancient Greece. He called those who would refer to the Sun itself as a god “mad men,” so it seems fairly clear that he would have no love for those who prefer to follow the Jungian style of polytheism many archetypalists of today adhere to.

Moving on to the final level of myth, Sallustius states:

But we may perceive the mixed kind of fables, as well in many other particular, as in the fable which relates, that Discord at a banquet of the gods threw a golden apple, and that a dispute about it arising among the goddesses, they were sent by Jupiter to take the judgment of Paris, who, charmed with the beauty of Venus, gave her the apple in preference to the rest.

For in this fable the banquet denotes the supermundane powers of the gods; and on this account they subsist in conjunction with each other; but the golden apple denotes the world, which, on account of its composition from contrary natures, is not improperly said to be thrown by Discord, or strife. But again, since different gifts are imparted to the world by different gods, they appear to contest with each for the apple. And a soul living according to sense, (for this is Paris) not perceiving other powers in the universe, asserts that the contended apple subsists alone through the beauty of Venus.

This is a great example of a mixed myth, and Sallustius does an excellent job of explaining it.

Discord throws a golden apple that causes a fight among the goddesses, resulting in them being brought before Jupiter for judgment. Jupiter turns the case over to Paris, who declares that Venus holds the ownership of the apple.

If the banquet represents the supermundane powers of the gods, and the apple the world, then the fight the goddesses are having is over which of the gods can be said to give the gift of the world. It is not as simple as fighting over an apple.

None of the myths are simple. All of them are heavy and laden with meaning. That is why it is so important that we read each and every myth carefully and several times, analyzing it further with each read.

The secrets of the gods are hidden in the myths – all we have to do is open our minds to the incredible richness of possibility in their interpretations.

*Note: While there are 21 chapters in the treatise, the first 3 chapters are the ones I find most relevant, so this particular series ends here. I highly suggest that those who are interested in reading further read the rest of the treatise for themselves, as it is free online. 

Sources

Sallustius. “On the Gods and the World.”

©Kyaza 2019

Magic and Me

In my first post I talked about how divination, magic, and energy work fit into Christianity. For this post I’m going to talk about what this means for me in my practice.

Divination wise I primarily use two techniques. First is with bibliomancy: divination with the Bible. There are different ways to do this, I generally use a random number generator to indicate what book to look at. Then depending on the book, I may use the random number generator again to narrow it down further. Sometimes I have a specific question in mind with this technique but often it is done with more of a mindset of seeking what God wants me to think about. I used it for a specific question when I was contemplating the old practice of libations and offerings that were done in the Old Testament. I wondered if God wanted libations from me. I prayed about it and thought about it. And for the next three days, my randomly generated readings included an emphasis on libations and offerings. At that point, I went with yes. Now a few times every month, or whenever I get the urge, I offer a libation to God of red wine. I also frequently burn incense for the Trinity as an offering.

The other technique I use for divination is tarot. Unlike many tarot readers though my deck is specifically dedicated to the Christian Trinity. I pray to Him about a question or situation and ask that if it is His will I will be granted some clarity with the reading. Sometimes I do a weekly draw asking about what I should be aware of for that week. Sometimes I do multiple cards, asking other questions like what I need to be focusing on or what God wants me to do that week.

Magic is one thing I do not practice much. I have done one spell in regards to health. I do not endorse, under any circumstances, doing magic instead of going to a doctor. But I knew enough about the situation to know that the doctors would tell me I had been foolish (I had) and that all they could do was wait and see. I did a spell to support my body healing. I asked a friend more versed in Christian based magic than I for advice. The spell involved an index card with my name on one side, my specific request on the other. I grounded and centered myself next. I placed the index card under a red candle holder with a small green candle in it, the colors for healing and associated with specific Christian angels for healing. I read out loud the verses from psalms she recommended and prayed. Then the candle was lit and I let it burn all the way down. It worked. My body healed for which I am very grateful as if it had gotten worse it would have meant surgery.

I do a lot of energy work. I pray regularly. Both quick prayers-like for patience or strength-and longer communing prayers. I described this second style of prayer to a friend once and she said it sounded rather shamanistic. I always thought of it as a form of visual meditation. I am more likely to have a bit more of a back and forth in this form of prayer. I’m not talking about hearing God speak in terms of a voice in my head. Ideas, inclinations, maybe a fleeting emotion. Sometimes my goal in this is not a conversation as much as to feel a connection to the Trinity.

Other forms of energy work include warding my apartment. I created a few of them with slightly different intentions, tied them to a decorative cross on my wall, and handed the reins over to Jesus. This was after an overnight guest that was more sensitive than I had an encounter with a less than friendly spirit. It flat out ignored me in my room and focused on her in my living room. I am not so sensitive but thought it would be a wise idea to ward my apartment anyway.

I also utilize an amulet, a crucifix necklace that I made. It would work as an amulet whether or not I did anything intentional with it energetically because of the centuries of belief that have been poured into the shape. I also try to remember to cleanse it regularly and charge it with the intention of helping to shield me in my day to day life.

The Eucharist is another instance of energy work. I ground and center and use prayer and energy to bless the wine (and wafers, when I have wafers). In this case, I channel the Trinity’s energy into the wine and wafers before consuming them. This would be an instance of me being different from most Catholics. According to the Church, I cannot do this myself.

©Brightest Twilight

Overall, I feel like these practices have brought me closer with God and strengthened my relationship with the Trinity.

Musing about Music

Music is an inescapable necessity in my life. It’s not that I despise silence; sometimes I need it. But, on the whole, music is one of my favorite bridges between the mundane world and something much greater. With that comes a lot of good, and a little bad and ugly.

I have anxiety disorder. Diagnosed years ago, used to be medicated for it, the works. About a month ago, I lost my iPod. I wasn’t upset because it was an expensive piece of equipment, but because I was slowly driven mad until a friend of mine loaned me their old one to replace my lost treasure. During the time without it, I realized just how much music meant to me. The wait for the bus got so much longer, and so many anxious thoughts crept up on me. Waiting for appointments, long spans of time at work—all these things became so much more difficult to manage. I started to get easily agitated, even around my friends. But, now that I have another music player, everything is going back to normal.

It sounds a lot like a drug, which amuses me given how many songs are written about the power of music. It’s truly an intense power. There have been times where I have been on the verge of an anxiety attack, and there are songs that I can turn to that soothe me down. This also helps when I can’t sleep at night due to acid reflux symptoms. Of course, I do take other medicine to actually deal with the acid problem, but music can keep me from thinking about it too much, which, again with the anxiety, happens a lot. That then prevents me from tensing up and making the stomach trouble worse.

And then there’s the bad and ugly side. There are some songs that I outright cannot stand to listen to. It’s not an average distaste, either. They are simply too emotionally deep for me to block out. I’m convinced that the way I listen to music lowers my shields and makes me more vulnerable to the energy the music presents. That can lead to soaring highs, or…intrusive thoughts of flinging yourself out of a car into oncoming traffic because a song is playing on the radio and the driver refuses to change the station even though the other person in the back seat is yelling at them to please do something because this person is clearly having an anxiety attack and can barely breathe. Funny how some music can stave off or even prevent an anxiety attack, but others can induce it.

But that’s exactly why I find it to be so important in my life. It has been the amusement of many of my friends that I can find a song for just about anything. My previous iPod, which I had kept up for years, had a rather extensive library. In middle school my friends and I would play a game called “the iPod shuffle game”, where I would set it to shuffle, ask a question, and then hit next. The “answer” would either be the song title or some other information, like album, artist, or the lyrics. After a few years, the iPod got very good at this game and seemed to develop a distinct personality. It was about that time I learned that there is actually a word for doing divination like that: shufflemancy.  My new iPod, despite having the same music library, still seems to be learning its way around. Sometimes I still sense a glimmer of the same personality shining through, and I like to think of it as if there was a spirit attached to my old iPod that is starting to follow me to this one.

I find this to be relevant to my religious practice as well. Some of the first times I’ve ever felt entranced have been through music. It’s how I met Joan. When I began to learn to dance, I began to feel connected to a goddess, who later stepped forward as Het-Hert. Now when I go to events or conventions that have a dance, I like to take a few minutes and dance intuitively, through Her, for Her, and with Her. Often She laughs at my lack of flexibility or awkwardness, but it’s all in good fun. But, it all ties back to the music. I have to be feeling the music in order to dance intuitively. In theory, yes, I can industrial and Fortnite dance to everything, but there’d be no passion. Without passion, the energy doesn’t flow and the connection is lost.

A lot of that passion of mine, I think, derives from how I listen to music. I mentioned that my shields seem to lower when I do. I listen with more than just my ears. I feel it in my core, and there are often little visualizations that come along with it. Colors and waveforms, mostly. A song is greater than the sum of its parts, and focusing on one instrument will bring a different visualization than another. It’s strange to me that I never learned how to do this. I simply did. It’s one more thing that is so normal, everyday, and basic that I feel it gets overlooked. That’s why I wanted to honor it, at least for today.

© Kahleo 2019

To Book or Not To Book…

One thing I’ve noticed about spiritual paths today is the huge focus on studying. There are dozens, sometimes even hundreds, of books about almost every topic imaginable now. If you want information about something, chances are, someone else has written about it.

If you want to follow a path, you HAVE to read about it….  Right???

Wait, what? What happened to experiencing a faith? To actually doing the work? Did I miss something?

In a world that is increasingly about knowledge, we’ve found ourselves at a crossroads. Do we read, read, read, absorbing as much information as we can, hoping that one day we might know enough that we can actually do something in our practice?

Don’t get me wrong, I have zero issues with book learning. I’ve just noticed a trend in modern practices where a person is expected to know their respective myths and lore inside and out. It makes it super intimidating to newbies coming in, who are expected to have at least read them well enough to have memorized the basics before announcing themselves as (insert practice name here).

Have we really come so far that the emphasis is on the written word, rather than experiencing the joy of a faith? The devotion? The very experiences that give us our faith in the first place?

I’m saying this as a writer. As someone who consumes every word put in front of me, and never forgets anything I read. Oh, I may mess up a few details here and there, just like anyone, but that’s not the point. I’m supposed to come into a practice with this ingrained knowledge before I announce to the world that I follow X gods…  Why?

Why can we not get to know our gods in a personal way first? Why can we not experience them and hear their call first, leading us to want to learn more? I find it insulting that there are some faiths now that expect you to study like your life depends on it, simply because you “can’t be a true believer in X if you don’t know all their stories…” Yeah, I’ve heard it before.

Not only is it intimidating, but it drives people away from pagan paths. Yes, I agree that the newbies need to learn, but isn’t that what elders are for? Not to direct you to this book, and then that one, and then that one, ad nauseum, but rather to pass on the teachings? To embrace new followers of our Gods and lead them? Why does it all have to be so based on independent learning?

I’m not condemning independent learning, but I think we need to focus more on building a true community as well. One where those who have been around for a while might take a newbie under their wing, so to speak. Mentor each other. Everyone brings value to us as a group.

Instead of answering a question with “go read so-and-so,” we need to be taking the time to answer personally. To really get in there. Who cares if it starts a debate? Why do we fear that? Debate can be healthy and lead to growth. It prevents us from becoming stagnant.

I’m not thinking of, or directing this to any one path or practice. As a multi-tradition practitioner, I’ve seen it way too many times. It seems to be endemic at this point. By sending the newbies to books to learn, we miss the opportunity to teach, to share, to learn ourselves, and to build strong communities. We miss the chance to pass on our faith in the Old Ways. Many of the paths we follow as pagans are based upon ancient practices…  Oral practices…  Why do we not value that as a way of teaching now?

I don’t know, maybe it’s just me…  I don’t think so though. I don’t believe I am the only person who thinks we’re missing the point here. Our faiths are living, almost breathing. By constantly sending people to study, we suffocate it. The debates become about the validity of a source, instead of taking what we can from it and discarding the rest…

So I beg you, the next time someone asks a question of you, try to answer it. give them your opinion, or your experience. Then, if you still feel it’s necessary, then you can send them to the library stacks…

 

©Lauren Michelle 2019

Why I Picked Up The Call

As I have explained in my previous post (The Calling of Shiva), I wasn’t born into a Hindu family and hadn’t had any exposure to Hindu culture up until I met my husband. My father still doesn’t really understand why I chose Shiva over the Christian God, so this post is as much for him as it is for the regular readers of the site.

To understand why I (and many others I have met later in my life) wholeheartedly chose Hinduism you need to take a look at its teachings of responsibility.

Personal responsibility

Hinduism does not have a Savior in the manner Christianity has. Yes, there are stories of gods and goddesses saving mankind and the world in general from various dangers. But on a personal level, one is not considered a good person simply because they are worshiping a particular god. One will not get a better next life, achieve moksha (no more births) or ‘go to Heaven’ simply because they worshiped a particular deity.

One needs to get a grip over one’s own life and actions and lead a mindful existence, paying attention to every action one makes and thinking over how that action will affect one’s – and others’ – karma.

This theory of personal responsibility is what I like the most in Hinduism. Expecting salvation from outside is, at least in my opinion, futile. In my opinion gods, angels, saints, all the beneficial spirits can give us help, they can give us strength and encouragement to do the best we can, but if we ourselves are not working on it, then it is not worth a peanut. In a simple example, think of a drug addict. They can attend rehab, go to meetings and listen to people who came clear, get help from specialist doctors. But if they themselves don’t want to come clear, none of these external influences will help them. We ourselves have to want to be ‘good’. We have to work on our faults and make the most of what we have. No worries if the most is not much. There are many lives ahead of us, we don’t need to do everything at once. But the most it should be.

Reincarnation aka Samsara

This brings me to the second thing I really like about Hindu philosophy: reincarnation and that eventually everyone will reach perfection and attain God. Hinduism teaches that we are born here to experience human existence as a whole: in all its darkness and glory. In my view, every soul comes here to Earth to experience a certain set of things in each life. In one life it might be being a serial killer who had abusive parents, in another to be a perfect mother of ten children, and anything in-between. A soul needs to experience every aspect of Life, and every emotion available to us humans. When one has experienced every facet of light and darkness then nothing ties the soul to earthly existence, it has no desires left, and it can peacefully return to the Creator – to draw an analogy, it can go to Heaven.

For some it might take just a few lives; for some, hundreds and thousands. But eventually, everyone will reach salvation, where they don’t have to be born again and can join the Creator once more, in perfect peace and contentment. Everyone.

That means even The Worst Person in History has the potential to achieve union with God, through hard work on themselves, possibly in the course of many incarnations.

That makes so much more sense to me than having Heaven and Hell and chucking everyone into the latter who wasn’t mature enough to lead a ‘good’ life at their first go. And it just isn’t fair to expect everyone to be on the same level of ‘good’, irrespective of their circumstances. Yes, some Christians believe in Purgatory so there’s that. But the expectations are still very high, knowing human nature.

Karma, dharma, and lessons

Another reason I like Hinduism is the theory of karma, dharma, and lessons we need to learn through lives. It ties in with both personal responsibility and samsara but I wanted to talk about it separately. I might even write a post about it later, who knows. But to cut it short, here’s what it all means to me.

Karma means in very simple terms the law of action and reaction. You are a jerk, you get people treating you like one. Now put a twist on it: you are a jerk in this life, but that’s what you came here to do, that’s how you advance on your journey and that’s how you help others on theirs: it’s your dharma, your life task. Therefore, you go on being a jerk and people who expect karma to work like a policeman are surprised that you lead a happy life despite being a horrible person. Alas, karma is not a policeman, but after you die, you might be assigned the task to suffer from a similar ‘jerk’ in your next life – and learn what you have to from it: humility, standing up for yourself, or active rebellion.

Again, this does not mean that you don’t have to try and become a better person because being a jerk is “your life’s lesson”; if you realise that you hurt others by being a jerk, and change your behaviour, then it might just save you a life’s worth of lessons right there.

I think that overcoming our basic nature is one big step upward on the ladder of samsara – but I’ll write more about this later. What I like about all this is that there are countless opportunities for us to see behind the curtains and understand why things are happening and accept our lessons with grace.

Polytheistic world view

Hinduism has millions of gods. To a Hindu person, one god extra does not make a difference, and that is why initially early Christians, Persians, and Muslims could live in India in peace. No one cares what you believe in, or if you believe in any god at all. If you are a good egg, you can stay and you will be welcomed. Of course, by now this notion has been corrupted and many people forgot how to be tolerant towards others. Why, now there are Hindu Extremists out there! What a laughable notion! Only a Buddhist extremist would be further off the edges of sanity. Anyway, this is Kali Yuga, the age of darkness for you. I do find it refreshing that none of the gods say that he or she is the only one people should worship. In Hinduism, only demons say such things, and they are punished for their audacity at the end. Not that I want to draw a parallel with any other religion. And this is why sometimes you can even find statues of Mother Mary on Hindu altars, like for example in Skanda Vale in Wales? If you haven’t heard of Skanda Vale yet, you must google them.

I believe that from every religion, each and every god exists, and each and every one of them are facets of the one creator that has no personality nor a name, who we cannot imagine or describe by human words. Which facet you worship makes no difference.

The gods

Until now I wrote about philosophy and things that are more or less understandable why someone like me would be impressed by them. But here’s the thing: Hindu gods are weird. They have extra limbs, extra eyes, extra heads – sometimes that of an animal – they dress strangely – if they are dressed at all… it’s all very confusing to someone not versed in art history or art interpretation. One day my dad called me up and asked me why does Shiva have four arms and snakes all over him. My first, somewhat dumb reaction was… why not? He’s a god, he can look like anything he wants to! Or rather, any way the artist sees him.

It doesn’t really matter how an artist has painted the portraits of gods; they don’t really have bodies the way we do, therefore they don’t really have a form the way we do. They can appear to us humans any way they like, be it a man with four arms or a talking pillar of scorching fire.

And especially Shiva is said to be formless energy – that’s why he is represented by the lingam, or a pillar of fire too. Of course, his four arms on pictures have a meaning, as have all the other weird stuff, too. That belongs to art interpretation, and I will get to it in another post. So to ask why Hindu gods look the way they do is the same thing as asking why the Christian God is an old man with a beard sitting on top of the clouds. It’s because this is the image that over time has been widely accepted to represent that particular spirit. Nothing more, nothing less.

But why did I choose one of the weirdest of the weird gods, the one full of contradictions? Why not the (seemingly) simple Vishnu with his protective nature? Why not cute Ganesha who would remove all obstacles from my way? Why the dangerous Destroyer?

Well, as for myself, and many other ladies as I came to know later, the energy of Shiva has a magnetic effect on us. There is a certain primordial strength radiating from him, the suggestion of power, control over himself, a feeling of ancientness, of wisdom and fairness, of serenity and boundlessness. He is beautiful, inside and out. Some might even say, the perfect man – in India, girls pray to Shiva for a good husband because he is considered to be the best husband there is even though his true form is pure energy. More on this in a later post. As I said in the “Calling of Shiva“, his image as Nataraj grabbed me by the collar from early childhood, and the more I know about him the more I love him.

I have never got the same feeling of safety and peace from any other god what I have now with him. This is something no one can take away and something I would never want to give up. I may work with other deities, I might even keep an icon on my altar (I do actually). But Shiva has his place deeply embedded in my heart, for this life and the rest.

©Katalin Patnaik 2019

The Quest I Didn’t Know I Was On

All of my pagan life, I’ve been on a Quest. Not just a quest, but a QUEST. One of those big journeys that is supposed to culminate in some huge lesson, similar to the Quests that knights would go on in the old tales. Quest for the Grail and all that.

Strange right? I mean, I didn’t even know it was happening at first. I just studied wherever and whatever my heart led me to. I didn’t really have any goals in mind, any one thing that I was supposed to be learning. I just went where my heart led me.

It wasn’t until recently that it all began to come together. We’re not talking about a couple years of searching though. I mean, twenty years is a long time to be searching for something you didn’t even know you were searching for.

But that’s what happened…  Let me back up and explain a little of this journey…

I became pagan at the young age of 12. Yup, 12 years old. And yes, I knew what that meant then. I was the only one I knew, sort of. See, my grandmother was really New Age. As far as I know, she was Christian (at least nominally). Yet she had her own deck of Tarot cards (Rider-Waite) and a bag of runes. I remember sitting there somewhere between 10 and 11 years old, and playing with them. I read the little books, and tried to figure out what they meant, but just couldn’t grasp it at that point (it honestly took me years to be able to read Tarot, and I’m still only beginning my journey with runes).

After watching my efforts, my grandmother took me to the local bookstore she frequently haunted and let me roam the shelves of the New Age section. Nestles tightly between books on angels and crystals were spell books and books on REAL TRUE WITCHCRAFT!!!  Imagine the shock that went through my young mind to learn that witches were real! It was hands-down that most eye-opening moment of my life. I never struggled with the thought. Instead I embraced it, and began down the road that led me to this moment in my Quest.

At the age of 19, I began to study in earnest. I was finally able to understand what I was reading and I read everything I could. As it was the only word I knew, I called myself Wiccan, even knowing that it wasn’t the right word for what I did. More often than not, it was just Pagan, even though I was regularly having to explain what that was. It wasn’t a word that most people knew then. The internet was still a baby at that point, and shows like Buffy the Vampire Slayer and Charmed were just beginning their foray into the wonderful world of witchcraft.

Moving forward a few years, I was in university and my studies there led me into the Arthurian tales, as well as myth cycles such as Y Mabinogi. I didn’t then realize what an impact they would have on me. One tale led to the next, which led to some historical work, and eventually led me to the edges of Druidry. Along the way, I was still studying magick, but I was becoming more and more disenchanted with it. Something was missing…

That search for the missing whatever it was became a search for my “real” spiritual path. I explored so many things, among them Heathenry, Druidry, Irish Celtic, Kemetic, and an Avalonian Tradition. None of them was right for me in it’s entirety, although I learned a lot from them. I learned more about who I’m not than I did about who I am, which led me into a deeper confusion. I was searching in earnest now, but still didn’t know what I was searching for.

All this searching was leading me into a crisis of faith. I mean, if I couldn’t find my right path, how could I truly call myself pagan in any way? I realize that that question doesn’t exactly make a lot of sense, but it’s how I was feeling. My entire identity had become wrapped up in who I was spiritually.

A decade of searching led me down many paths, none of them what I truly needed. I finally gave up. I started coming to terms with the thought that I would always have this really, REALLY, eclectic practice. I felt incredibly alone, like no one would ever understand how I felt and what I was looking for. After all, I didn’t know myself.

It took some time, but I was finally able to just relax and accept that my practice was really different from the rest of the pagans I knew. I knew that in the end, it didn’t really matter, as long as my practice, such as it was, meant something to me.

Then lightning struck…

I came to realize that my faith matched up with my Arthurian studies from so long ago. What I had begun then was the forerunner of where I was to end up. Suddenly, everything began to make sense to me in a new way. It was like putting together a puzzle face down, and then turning it the right way and seeing the whole picture! I had the answers all along, I just didn’t see it!

My path is in search of Awen, which is the Welsh word for divine inspiration. You see, in my mundane life, I am a writer. Not just here, but in multiple places. I recently had a book of poetry published and am currently working on two new ones. I was so close to my spiritual path with my writing that I couldn’t see it.

I work now primarily with Welsh deities, although it’s still very new to me. The words, the language, the myths, I am taking baby steps down this path, soaking it all in bit by bit. The term for the path, for those who are like me and like labels to define things, is Awenydd. Those who seek Awen, and strive to bring it into every day life, who work with the gods and spirits of Brythonic culture, attempting to bring them forward again.

I have found more peace within myself since coming to realize that the signs have always been there. I will continue to work with the gods I’ve already established relationships with, but now my Quest has become more pressing than ever. I feel like I am 12 years old again, reaching for those books that taught me about this world in new ways. I have come full circle, and move now into a new journey.

©Lauren Michelle 2019

The Black Bird Buffet

There is a fast food place not terribly far from where I live, which I suppose can be said for most people living in the United States. Around the side of the establishment is a fenced in dumpster area, usually overflowing with leftovers from the buffet. Recently I’ve begun noticing a large number of black birds swarming the area and feasting on the morsels within. In the days after I first saw  the avian feeding frenzy I’ve had trouble getting it off my mind. My initial thought was a lamentation of just how wasteful our species can be, followed shortly thereafter with “well I’m glad someone is eating it”. Neither of those thoughts are what this article is really about though.

Those birds out there exist within the same space as us but still in their own world, separate and alien from ours. The two are of course related, completely interdependent on one another. What we do effects them and what they do effects us even though our worlds are different. As someone who practices two traditions that both put an emphasis on the spirit world and the connection between theirs and ours, it was impossible for me not to see a resemblance.

In my own faith and practice I believe that there are two main divisions or worlds in which we exist, the physical world and the spirit world. These worlds exist side by side and influence one another. In Wicca or Wiccan inspired beliefs we often refer to the existence of a “veil between worlds”. The terminology is interesting here because it heavily implies that these worlds are not as far from one another as they may appear. A veil is a very thin cloth, basically porous. This reflects the idea of spirits passing from one world to the other and back again in a constant loop.

The tldr here? Your house is haunted. Everyone’s is, some places are just way more active than others.

Now back to the birds. They have their own complex behavior, pecking order and forms of communication. Heck, who are we to say they don’t have their own form of culture as well? Throughout history, humans have been fascinated with the idea of a culture for wild animals and we see this reflected in the extensive mythologizing of them. Mythology and folktales are told throughout the world of animals speaking,  living in tribes or other societies, having laws and codes of ethics. This fascination hasn’t stopped in modern times either, just look to the wildly popular Warriors series by Erin Hunter for evidence of that.

I suppose what I’m really trying to get at in this rambling mess is that those birds served as a reminder that more exists in this world than what we see in our daily lives. It’s easy to get stuck in this rut of doing the same thing over and over and missing the bigger picture. Kemeticism and Wicca help me to see glimpses of this grand scheme (whatever it is exactly) in the small everyday things. All you have to do is look up occasionally.

 

©Terra Akhert 2019

The Bedrock of Roman Polytheism: Pax Deorum

My polytheism centers on my efforts to maintain the Pax deorum (the Peace of the Gods), which is the center of the Religio Romana (the Roman religion). This is the harmony between humans and the Gods. Affirming the Pax deorum is the basis of pietas (Roman piety). What does this mean? Piety entails ritual purity, doing the rituals correctly, making daily offerings, and saying daily prayers. It is rooted in deep respect for the Gods.

Another part of piety is ius divinum (sacred law). This recognizes what is rightfully the Gods’. A part of keeping the right relations is understanding what the rights of the Gods are. Do They have the right to be as They are? Do I insist that apolitical Janus, the Doorkeeper of the Gods, be involved in the affairs of humans? Do I tell Ceres of the Aventine Triad to ignore the rights of the poor and downtrodden? To ignore Their Rights is an act of impiety and promotes ira deorum (the Anger of the Gods).

Another part of pietas is do ut des (I give that you may give), which is the reciprocity between the person and their Gods. This is a cycle of gratitude for each other. I give to the Gods expecting that They will return in kind. I give in gratitude for what They give to me, and so the cycle of gratitude continues between us. Since the tradition of Religio Romana is having a client-patron relationship with the Gods, I do for Them what They cannot do for Themselves, and They do the same for me.

These three principles – Pax deorum, ius divinus, and do ut des govern my Roman polytheism. It may seem restrictive and businesslike to some but it suits me. I embrace the Gods as They are, and They me. Order and structure in my polytheism gives me the freedom to love Them.

One of my practices is to follow the Roman festival calendar. From that, I developed a system of “Gods of the Month” to focus on for that month. It helps me to keep my devotions for the month and to celebrate the various festivals. I would include the Gods of the Month in my morning devotions and afternoon ones, repeating various prayers that I wrote.

Of course, from “Gods of the Month” comes “Gods of the Day.” Each day, I would write a short prayer for the God of the Day, after my breakfast and before morning devotions. My prayers do include Gods from other pantheons, Who have requested that I make offerings to Them such as Marduk of the Babylonians and the Gods of my Anglo-Saxon ancestors. For example, September and October, when squirrels are active, I write prayers for Ratatosk, the Squirrely One of the World Tree.

For me, being a Polytheist means daily devotions to the Gods. Like many modern Polytheists, my Gods do not all belong to the same Pantheon. Although I consider myself a Roman Polytheist, I do venerate Other Gods. Because of my brain injury and devotional work with the Dead, Anubis, Hekate and the Morrigan have requested devotions. Meanwhile, my Anglo-Saxon Ancestors want their family Gods honored. Finally for reasons unclear to me, the Gods of Babylon and Canaan have asked me for devotions.

To accommodate all the Gods Whom I honor, I had to set up a schedule. How did I go about doing this? First, I read the lore, and then did divination which days would be appropriate for which Gods. Finally, I broke my day into three parts – morning, afternoon, and evening for my devotions. Since we all have our daily rituals such as brewing coffee or checking our phones, including one for devotions seemed reasonable.

Mornings are devoted to the Household Gods. Before breakfast, I light a candle and offer incense. I offer to Janus (who always receives the first and last offerings) for his service in guarding the doors. Then to Apollo for the health of our family, and Juno Custos for guiding my family. Vesta, the Eternal Flame who warms our home, receives her offering and prayers next. Finally, the Genius of the Paterfamilias is thanked for guarding our family.

After I do this, I do my weekly devotions by splitting the various Gods into mornings and afternoons. My schedule is as follows – Monday – Anubis and Hecate (morning), The Lady of Beasts and The Morrigan (afternoon). Tuesday – Freya (morning), Anubis and Hecate (afternoon). Wednesday – Odin. Thursday – Hercules, Neptune and the Roman Pantheon (morning), the Gods of Babylon and of Canaan (afternoon). Friday – Frigga. Saturday – the Penates and Lars. Sunday – the Dead.

Why these particular days? Monday is “moon” day, and those deities prefer that association. Tuesdays is traditional for Freya, Wednesdays for Odin, and Friday for Frigga. Anubis and Hecate asked for Tuesdays, and the Gods of Babylon and of Canaan for Thursday. Since Thursday is Thor’s day, Hercules reminded me that it is his day also. The Roman Gods requested Thursday as well. Saturday is grocery day, which is when the cupboards are replenished. Sunday is for the Dead, since it is a day of reflection for me.

The evening is reserved for the Gods of the Month. Nightly, I say prayers to Them before going to bed. It is a part of my evening routine like brushing my teeth.

©Virigina Carper 2019

Interpreting Sallustius: Part II

Continuing on with Sallustius and his treatise “On the Gods and the World,” we come to his third chapter and his second major point: fables – aka myths – are divine.

He states:

This is the first utility arisng from fables, that they excite us to inquiry, and do not suffer our cogitative power to remain in indolent rest. It will not be difficult therefore to show that fables are divine, from those by whom they are employed: for they are used by poets agitated by divinity, by the best of the philosophers, and by such as disclose initatory rites. In oracles also fables are employed by the gods; but why fables are divine is the part of philosophy to investigate.

This is fairly straight-forward, as Sallustius essentially says that myths and stories are useful because they make us think. They keep us engaged with the world, and they help to keep us alert, awake, and inquisitive.

He also states that there are three types of people who use myths in the pursuit of their arts. Specifically, he mentions poets, philosophers, and priests. Poets, he says, find their inspiration in the stories of the divine. That, to me, immediately conjures up the knowledge that the Eddas – both the Poetic Edda and the Prose Edda – are fantastic examples of a poet divinely inspired to impart myth.

Because of his need to see the old poetic style preserved, Snorri composed the Prose Edda, and, in doing so, preserved many of the ancient Norse myths. Without the effort he put forth, we would have far less knowledge about the myths of the ancient Norsemen than we possess today. It may very well be that Snorri felt divinely inspired to preserve the stories of his ancestors, but that is a question only the gods can answer.

Sallustius also states that the best of philosophers use myths, and that it is the job of philosophers to determine why myths can be considered divine. That is what Sallustius, a philosopher in his own right, seeks to do in this treatise, so we can expect him to answer this question in time.

As for priests, Sallustius says that priests use myths to disclose initiatory rites. What he means by this is that a priest of a religion needs to know the complete mythos of that religion, as it is the myths themselves that reveal the secrets of that religion. The mythology of a religion is not simply a collection of stories but the stories interwoven in a composite whole. To become an initiate in a religion is to come to that understanding, and it is the duty of a priest to set a person on the path that will allow them to gain that knowledge.

Sallustius’s next point follows thusly:

Since therefore all beings rejoice in similtude, and are averse from dissimiltude, it is necessary that discourses concerning the gods should be as similar to them as possible, that they may become worthy of their essence, and that they may render the gods propitious to those who discourse concerning them; all which can only be effected by fables.

Here, Sallustius basically says that we embrace similarity and have trouble embracing difference – a truth that is, unfortunately, one that has caused our world to become far more divided than it needs to be, considering our shared humanity.

Sallustius explains that the discourse – communication – about the gods needs to be as similar to people as possible, so that people may better understand the gods and see the gods as benevolent and worthy. To accomplish this, it is necessary to employ myth.

Essentially, the myths show the gods as similar to humans because it allows us, as people, to better relate to the gods and see them as good. It is not that the gods themselves are like us, but that we need to understand them as if they were, in order to be able to relate to the gods in any productive way.

Sallustius continues:

Fables therefore imitate the gods, according to effable and ineffable, apparent and unapparent, wise and ignorant; and this likewise extends to the goodness of the gods; for as the gods impart the goods of sensible natures in common to all things, but the goods resulting from the intelligibles to the wise alone, so fables assert to all men that there are gods; but who they are, and of what kind, they alone manifest to such as are capable of so exalted a knowledge.

Here, Sallustius says that the myths imitate the qualities of the gods that they possess. Since they are imitations, however, it is important to understand that imitation is nothing more but a pale echo – the myths, therefore, cannot capture the full essence of a god, no matter how poignant the myths may be.

He also says that the gods gift the shared senses to those who inhabit the world, but the gods only impart intellect to the wise. I find that this sentiment echoes in the Havamal, the Sayings of the High One (i.e. Odin):

54. Wise in measure let each man be;/ but let him not wax too wise;/ for never the happiest of men is he/ who knows much of many things.

Wisdom, after all, comes at a price. It is not a price everyone will wish to pay, and it thus makes sense that the gods would only impart it to those that seek it. It seems, after all, that only those who seek wisdom hold the capacity for it, but that is my own perception of the world I have seen.

Going back to Sallustius, he also offers a sage piece of advice. He says that while myths assert to everyone that there are gods, the meanings of the myths are not made apparent to everyone. Basically, he asserts that there are people who understand myths on a level others cannot, and this serves both as advice and warning – the myths are not simply what they seem.

Sallustius then states:

In fables, too, the energies of the gods are imitated; for the world may very properly be called a fable, since bodies and the corporeal possessions which it contains, are apparent, but souls and intellects are occult and invisible. Besides, to inform all men of the truth concerning the gods, produces contempt in the unwise, from their incapacity of learning, and negligence in the studious; but concealing truth in fables, prevents the contempt of the former, and compels the latter to philosophize.

Here, Sallustius says that the world itself can be seen as a story, as it contains corporeal existence in the form of bodies and other tangibles. The reality behind that story, however, is the eternal existence of souls and intellects, as they are intangible and noncorporeal. We are all, in the end, just stories.

He then states that it would be unwise if the gods simply informed humanity of the truth of themselves. Sallustius seems to say here that the unwise would find the gods contemptible because they would turn their inability to learn and understand that truth against the gods themselves. Similarly, those with a passion for learning, would turn away from their studies and make no attempt towards understanding the gods, as the knowledge would exist already.

This, to me, says that the world would be a place full of contempt and unease if the gods simply revealed the truth of themselves to all of humanity. It would take the fun out of the life we live for those of us who enjoy the pursuit of knowledge, and it would cause nothing but ire and ill-will to burn in the hearts of those who suddenly find themselves faced with beings they can never hope to understand.

That said, Sallustius completes this chapter thusly:

But you will ask why adulteries, thefts, paternal bonds, and other unworthy actions are celebrated in fables? Nor is this unworthy of admiration, that where there is an apparent absurdity, the soul immediately conceiving these discourses to be concealments, may understand that the truth which they contain is to be involved in profound and occult silence.

Of all the things Sallustius has to say in this chapter, this is my absolute favorite. In essence, he is saying that the myths that demonstrate unworthy actions on the part of the gods still require the admiration of the gods. He suggests that the actions are only unworthy at first glance, and that we will understand that the actions that seem bad only seem so – that, in fact, there are deeper truths to be found, if only we are willing to dig beneath the surface.

The Greeks believed that the Gods were inherently good, and we will eventually get to the part of Sallustius’s treatise that discusses that. For me, this particular section of this chapter of the treatise lightens my heart because it affirms something I have always seen as true.

The myths that paint Loki in a negative light, the ones that cause people to label him as evil or a frith-breaker or the bane of the gods – these are the myths that have the deeper layer. The ones that have more occult knowledge hidden within them than can ever truly be spoken. His stories are some of the deepest ones I know, and I am glad to find a treatise by a polytheist that explains why such seemingly cruel myths delve into sometimes unfathomable depths.

Sources:

Sallustius. “On the Gods and the World.”

Havamal Verse 54 from the Poetic Edda, Oliver Bray translation.

©Kyaza 2019

The Calling of Shiva

I was born in Hungary into a not too religiously Catholic family. I was baptised at my grandmother’s insistence and loved religious studies (that mainly consisted of study of Jesus and no other religions were actually mentioned) in primary school, although I have to admit it was mainly because of the pretty stickers and mini-pictures of icons that the nun who taught us distributed amongst the children who paid attention. I was one of the few who received these because I always loved stories. Good old days.

Hungary is not big on ‘exotic’ religions. If you are a Mormon, you count as an alien. One is expected to be an atheist or belong to one of the well known, good old forms of Christianity. You can be a Catholic – Greek or Roman. You can be a Protestant. Even a Baptist or a Methodist. But Jehovah’s Witnesses are frowned upon by everyone other than the witnesses themselves, and the few Mormons who have reached Hungary to preach and convert are mostly looked upon as comic relief. I actually like them because they are very polite and take the effort of learning our language in order to be able to preach, but I wouldn’t prod that sect with a two-meter-long pole. (A saying we have here, meaning I don’t want anything to do with it.) What I want to say is, when people are asked about other religions – like, not-Christian stuff – they first list the Muslims and Jews, and only then do they remember Far Eastern stuff. You know, Buddhism and whatever the “Harekrishnas” believe in.

So, you might ask, how did I get into Hinduism in such a monotheistic environment? I like to say it was fate. That it called to me and the gods led me down the rabbit hole. They are very good at finding the way for us when they want us to do something, as I have learned later on.

Anyway, you know the Nataraj statue? The Dancing Shiva? Yes. It’s beautiful, isn’t it? Powerful, enigmatic, magnetic. I always loved that statue but never knew what it was. It popped up in movies and video games; remember Disney’s Aladdin PC game? The Genie’s lair had similar statues in it. Yes, after 20+ years I still remember, that’s how much I loved it!

Now, one day in History class we opened the textbook and there it was! That statue! Written under it the vital information of what, or rather, who it actually was! I was so happy! After class, I ran to the school library and got all the books I could find on mythology. And I read and read and just gobbled up everything there was to know about Lord Shiva. Unfortunately, it wasn’t much – Hungary just came out of Soviet rule so esoteric or occult books were still very rare, and even then, Hinduism was so obscure that the few mythology books that existed haven’t bothered to go into big details. Still, it was enough for me to start worshiping Him.

My mom was chill about it, she was never big on monotheism anyway. My dad, on the other hand, might still be a bit upset about my transition after all these years. I had a perfectly useful god just on the doorstep, why do I have to worship such a strange, four armed, three-eyed thing? Then, my granny doesn’t really understand the concept that there are many gods other than The God of the church. So when she asks whether I believe in God I say yes, and that’s enough for her peace of mind and I don’t have to lie, nor do I have to try and explain myself. Win-win.

Since then, I have seen what I have seen and experienced what I experienced and my belief, no, my trust in Shiva has multiplied manyfold. I worship Him daily and have a deep, unchanging love for him that I could not feel for anyone else, be it a Hindu, Christian or any other Pagan god. Only the Norse Trickster Loki comes close but I don’t worship him and he’s an entirely different cup of tea anyway.

Well, in a nutshell, that’s it! This is how I got into Hinduism: through Shiva. He called, I came, and I love Him.

©Katalin Patnaik 2019